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The Many Sides of Rabih Mroué: Out There Opening-Night Celebration

Rabih Mroué, Sand in the Eyes, EYE Filmmuseum, Amsterdam, 2017. Photo: Laisa Maria.

Tickets & Info

Witness other dimensions of Rabih Mroué’s creative output at the Out There 2019 opening-night celebration. Experience his brilliant Sand in the Eyes, a lecture-performance on the image politics of Islamist recruiting videos in contrast to images shot by drones, followed by a discussion with the artist. A reception follows. The evening also marks the official opening of Mroué’s latest cycle of artworks titled Again we are defeated, presented within the exhibition I am you, you are too. And don’t miss the premiere of Borborygmus, January 11–12.

Program Schedule
5–9 pm Again we are defeated, Gallery 2
7 pm Sand in the Eyes lecture-performance, Walker Cinema
8 pm Q&A with Rabih Mroué and Cis Bierinckx, independent curator, Walker Cinema
8:30 pm Reception with the artist, Main Lobby

Free tickets to Sand in the Eyes available from 6 pm at the Main Lobby desk.

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Rabih Mroué: Again we are defeated

Rabih Mroué: Again we are defeated

Mazen Kerbaj, Lina Majdalanie, and Rabih Mroué: Borborygmus

Fri Jan 11, 2019

Mazen Kerbaj, Lina Majdalanie, and Rabih Mroué: Borborygmus

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Testimony for the Living (Or, Metabolic Theater)

Testimony for the Living (Or, Metabolic Theater)

“Borborygmus is predicated on relentless narratives—personal, impersonal, fictional, true—of each actor’s lived experiences, memories, and mismemories. It is in these narratives that we can locate, actually, not merely the facts surrounding violent acts, but the effects of violence upon the entire social body, its nervous system.” With particular attention to affective and metabolic processes, scholar André Lepecki reviews Borborgymous, a new theater work about “life, death and the digestive system” by Mazen Kerbaj, Lina Majdalanie, and Rabih Mroué, which premiered at the Walker in January.
Rabih Mroué: Life, Death, and the Digestive System

Rabih Mroué: Life, Death, and the Digestive System

“It’s not about remembering or forgetting, it is about both together, and how they work together—how we remember, how we forget, what we invent, what we remember.”  In conversation with Allie Tepper, theater-maker and visual artist Rabih Mroué discusses his three-part series for the stage and gallery, including his latest cycle of artworks Again we are defeated, the “non-academic lecture” Sand in the Eyes, and the Walker-commissioned world-premiere of Borborygmous, a work made in collaboration with Lina Majadalanie and Mazen Kerbaj that takes its title from the name for the rumbling of the stomach.

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