Sans Soleil by Chris Marker
Tickets & Info
Tickets & Info
One of the most radically inventive works of the American avant-garde, Stan Brakhage’s five-part epic blurs psychological and cosmological scales of perception. The film follows a mythical narrative of a woodsman ascending a snowy mountain, with Brakhage employing astrophotography, multiple superimpositions, rapid montage, and handpainting to create a dream of subjective experience. Inducted into the National Film Registry by the Library of Congress in 1992, the film is presented on a rarely screened 16mm print from the Walker’s collection. 1961–64, US, 16mm, silent, 78 min.
Part of Cinema Revived: Timeless Selections from the Vault, an ongoing presentation of notable feature-length films from the Ruben/Bentson Moving Image Collection.
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Chris Marker (1921–2012) was a French writer, photographer, and filmmaker, and a foundational figure of the Left Bank Cinema movement. Emerging first as a writer in postwar Paris, Marker moved into photography and filmmaking in the 1950s, developing a form of essay filmmaking that anchored globe-spanning travelogue cinematography with a hesitant and reflexive philosophical voice. After early films like Sunday in Peking (1956), Marker gained international recognition with the experimental science fiction film La Jetée (1962), the leftist political historiography A Grin Without a Cat (1977), and the philosophical collage Sans Soleil (1983). Marker’s multimedia work, including collected essays, collaborative film projects, and interactive digital media, continued until his death.
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Major support to preserve, digitize, and present the Ruben/Bentson Moving Image Collection is generously provided by the Bentson Foundation.
Dates & Tickets
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Sat Apr 18, 2026
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