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Monster in Me: The Video Work of Cecelia Condit

Thu May 07, 2026
Screening
A woman in black clothing lays on a brown couch in the woods, composited with a man in the gloves and mask of a bear creature, towering over her.
Cecelia Condit, Monster in Me, 2025. Image courtesy the artist.

Tickets & Info

Tickets & Info

When Thu May 07, 2026
Where Walker Cinema
Price $15; $12 Walker members, seniors, and students

Over the course of four decades, artist Cecelia Condit’s video work has dissected the psychologies of the feminine, the suburban, and the natural worlds. Her 1983 work Possibly in Michigan—brought to new audiences in recent years by its vast recirculation on social media—reminds us of the dark possibilities within the exterior and interior worlds of women; its resurgence speaks to the perpetual cycles of violence women continue to experience . This selection of Condit’s work traces the ideas the artist has explored throughout her career and includes a premiere of two recent works: Monster in Me and A Parable of Now.

A conversation with Cecelia Condit and Assistant Curator Patricia Ledesma Villon follows the screening.

Beneath the Skin, 1981, US, digital, 12 min.

Possibly in Michigan, 1983, US, digital, 12 min.

Suburbs of Eden, 1992, US digital, 15 min.

Pulling Up Roots, 2015, Ireland, digital, 7 min.

A Parable of Now, 2025, US, digital, 11 min.

Monster in Me, 2025, US, digital, 8 min.

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Bio

Since 1981, Cecelia Condit’s videos have created heroines whose lives swing between beauty and the grotesque, innocence and cruelty, youth and fragility. Her work puts a subversive spin on the traditional mythology of women in film and the psychology of sexuality and violence. Exploring the dark side of female subjectivity, her “feminist fairy tales” focus on friendships, age, and the natural world. She has shown internationally in festivals, museums, and alternative spaces, and is represented in collections including the Walker Art Center, Museum of Modern Art in New York, and the Centre Georges Pompidou Musee National d’Art Moderne, Paris. She received the 2024 Stan Brakhage Vision Award for expanding the boundaries of personal cinema. She has earned awards at film festivals, as well as grants from the Guggenheim Foundation, American Film Institute, National Endowment for the Arts, and the Mary L. Nohl Foundation. She is professor emerita at the University of Wisconsin-Milwaukee, where she served as the director of the graduate program in film for 30 years. She lives in Minnesota.

Accessibility

For more information about accessibility at the Walker, visit our Access page.

For questions about accessibility or to request additional accommodations, call 612-375-7564 or email access@walkerart.org.

Before Your Visit

Find us at 725 Vineland Place, Minneapolis, MN 55403.

Paid underground parking is available on-site. Enter the ramp on Vineland Place at Bryant Avenue. Biking or taking Metro Transit? Learn more.

Visiting the galleries? Enhance your experience by joining a public tour or with self-guided resources accessible for free on Bloomberg Connects.

Personal photography is permitted throughout the Walker and the Minneapolis Sculpture Garden, but please turn off the flash when visiting the galleries.

To help us promote future events and programs, this event may be photographed or recorded. By attending, you consent to appear in this documentation and its future use by the museum. Please let staff know upon arrival if you prefer not to be photographed.

Major support to preserve, digitize, and present the Ruben/Bentson Moving Image Collection is generously provided by the Bentson Foundation.

Dates & Tickets

    Mon May 04 — Sun May 10, 2026
  • Thu May 07, 2026