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Legacy of '68: Maydays (Grands soirs et petits matins)

William Klein’s Maydays (Grands soirs et petits matins), 1968-1978. Photo: courtesy Arte.

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“What’s important is that the action took place, at a time when everybody judged it to be unthinkable. If it took place, then it can happen again… ” —Jean-Paul Sartre (1968)

Maydays is William Klein’s dramatic chronicle of demonstrations at the Sorbonne in May 1968. The extraordinary events seen there magnify the moment when students, militants, union activists, workers, housewives, store owners, immigrants, school-children, pensioners, repentant bosses, and angry young men and women of every type and political tendency spilled into the streets to raise their voices across Paris. Conveying a visceral feeling of the protests as they unfolded, Klein’s hand-held camera frames scenes of rising collective power and revolution throughout the month of May. 1978, France, HD cam, 98 minutes.

“They were in the process of upturning their government, and they almost succeeded.”
—William Klein

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“The title of David Weiss’s documentary is charged with centuries of racialized symbolism. Although symbolically buried by the NAACP in 2007, the 'n-word' continues to sting from beyond the grave.” Jon-Sesrie Goff, Museum Specialist for Film at the Smithsonian National Museum of African American History and Culture, writes about this newly restored 1968 film and the important role of vérité in the African American anti-war movement.

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