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“[Toshi Reagon] has one of the sweetest, purest voices in contemporary music. None of that would matter if she weren’t so good at what she does: writing and singing songs that move you with their honesty and passion.”–LA Weekly

When this time-honored celebration of lesbian and queer culture returns for its 14th year, curator Eleanor Savage invokes the history of women’s music as an inspirational and revolutionary force. Toshi Reagon, known for her genre-bending style that crosses innovative rock with soul-influenced, blues-tinged folk, promises to set you off in hand-clapping, foot-stomping delight. Terry Dame opens the evening with her mesmerizing five-piece ensemble, the Electric Junkyard Gamelan, performing all original compositions on instruments she designed and built. Friday’s performance will be ASL interpreted.

Featuring Toshi Reagon and Terry Dame’s Electric Junkyard Gamelan

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Queer Art and the Importance of Community: An Interview with Eleanor Savage

Queer Art and the Importance of Community: An Interview with Eleanor Savage

In the wake of the culture wars and the AIDS pandemic that ripped its way through the US in the 1980s and '90s, artists took action. The stage became a space to reflect on the political and collective imperatives of asserting one's identity, to rail against homophobic press and policies, and to present acts of love and intimacy. Live performance also revealed the body's frailty, as artists living with HIV/AIDS insisted on still performing, insisted on the urgency of performing and performing now. In a wide-ranging interview, civic-minded, anti-racist artist and organizer Eleanor Savage discusses the era and its impact on performance and activism with Gwyneth Shanks, curator of A Different Kind of Intimacy: Radical Performance at the Walker, 1990–1995.

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