Disarming Domesticity
Tickets & Info
These two selections skewer the idea that women’s work is only in the home. In Rosler’s Semiotics of the Kitchen (1975, 6 minutes), the director demonstrates cooking utensils, varying their intended use in increasingly absurd ways. Broadcasting from her ironing board, Callard consults the I Ching to investigate the limits of measuring the mind in 11 thru 12 (1977, 11 minutes).
The series is co-organized by the Walker Art Center and the University of Minnesota
Copresented by the Arts & Humanities Chair 2011–2013, Moving Image Studies, and the departments of English, German, Scandinavian & Dutch; and Cultural Studies & Comparative Literature at the University of Minnesota. Additional support provided by the Morton Zabel Fund of the Department of English.
Copresented by the Arts & Humanities Chair 2011–2013, Moving Image Studies, and the departments of English, German, Scandinavian & Dutch; and Cultural Studies & Comparative Literature at the University of Minnesota.
Related articles
U of M Students Respond to "!Women Art Revolution"
U of M Student Responds to "Semiotics of the Kitchen"
U of M Students Respond to "One Way or Another (De cierta manera)"
Lynn Hershman Leeson's !Women Art Revolution Introduction and Post-Screening Q & A
Artist Camille Gage Responds to "!Women Art Revolution"
Artist Margaret Pezalla-Granlund responds to "!Women Art Revolution"
"!Women Art Revolution" Blog Series with mnartists.org
U of M Students Respond to "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles"
U of M Students Respond to "Surname Viet, Given Name Nam"
U of M Students Respond to Chick Strand: In Retrospect
U of M Students Respond to "Riddles of the Sphinx"
And Yet She Moves: Reviewing Feminist Cinema series and blogs
