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Circle Opening Dinner and Reception: Multiple Realities

Fri Nov 10, 2023
Member Event
Two adults at a party look at the viewer as they raise glasses of wine towards them.
Opening Event for Pacita Abad, 2023. Photo by Carina Lofgren. Courtesy Walker Art Center.

Tickets & Info

Tickets & Info

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When Fri Nov 10, 2023
Where Walker Art Center

Join Patron’s, Advocate’s, and Director’s Circle members and special guests for the opening celebration of Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s. Enjoy an in-depth look at a sweeping survey of experimental art made in six Central Eastern European nations during the 1960s to 1980s.

$120 per person includes reception drinks and hors d’oeuvres, followed by a three-course dinner ($50 per person for reception only).

RSVP by November 2.

RSVP for one
RSVP for two
RSVP for one (reception only)
RSVP for two (reception only)

You can also purchase tickets by calling 612-375-7641.

Not yet a Patron’s Circle member? Join today ($2,500 annually) online or call 612-375-7641 to receive invitations to opening events, exclusive travel opportunities, and social exchanges with Walker curatorial staff. Learn more about Patron’s Circle benefits at walkerart.org/membership.

Accessibility

For information about accessibility, or to request additional accommodations for this program, call 612-375-7564, or email access@walkerart.org.

For more information about accessibility at the Walker, visit our Access page.

Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s is organized by the Walker Art Center. Major support is provided by Martha and Bruce Atwater. Additional support is provided by Carlo Bronzini Vender, James Cahn and Jeremiah Collatz, Charlotte Feng Ford, Martha Gabbert, Karen and Ken Heithoff, John L. Thomson, the Weiser Family Foundation, and Anonymous. Exhibition research was supported by a curatorial fellowship from the Andy Warhol Foundation for the Visual Arts.

Media partner Mpls.St.Paul Magazine

The exhibition catalogue is generously supported by a grant from the Andrew W. Mellon Foundation in support of Walker Art Center publications.

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