Charles Atlas / Rashaun Mitchell / Silas Riener
Charles Atlas
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Rashaun Mitchell and Silas Riener were two of the most stunning performers in the final iteration of the Merce Cunningham Dance Company. In a groundbreaking co-commission with Experimental and Performing Arts Center (EMPAC), the Walker pairs them with longtime Cunningham collaborator and visual/media artist Charles Atlas. The thrilling result is a live dance/technology hybrid featuring seven dancers and 3-D video that weaves together dance, sci-fi narratives, and live film segments (edited in real time by Atlas). Toggling between the corporeal and the digital, this revolutionary work disorients one’s sense of space and time in playful and unpredictable ways.
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"What was it about Cunningham that made him stand out so," asks art historian Douglas Crimp in his catalogue essay for the 2017 exhibition Merce Cunningham: Common Time. "The dance movement he made—whatever its diverse sources in ballet and modern technique, observation of people in the streets and animals in nature, chance operations, pure invention—was uniquely suited to his own body, and he was its finest exponent." Joining in a worldwide celebration of choreographer/dancer Merce Cunningham's birth—born on this day in 1919—we share Crimp's essay online for the first time as a testament to Cunningham's influence, innovation, and iconoclasm.
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