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Mazen Kerbaj, Lina Majdalanie, and Rabih Mroué: Borborygmus

Borborygmus. Photo: courtesy the artists.

Tickets & Info

Walker Commission
World Premiere

“[Mroué’s] understanding of what it is to be human, in all of its beauty and ugliness, burns through with an intensity that, despite—or because of—its theatricality, hits the viewer directly in the gut.” —Frieze

Just as Rabih Mroué synthesizes video and audio, acting and projection, art and theater in his performances, so does he interweave history, testimony, and storytelling to destabilize facts and fictions. Born in Beirut, Mroué often draws material for his work from the Lebanese Civil War of the 1990s and contemporary Middle East conflicts. This new dramatic-comic theater piece is created in collaboration with Lebanese actor/writer/director Lina Majdalanie and artist/musician Mazen Kerbaj. Here, the performers’ identities and judgements of one another shift as the taboos, fears, and failures of their lives and countries are laid bare.

Borborygmus is presented in tandem with Mroué’s latest cycle of artworks, Again we are defeated on view in Gallery 2.

In Arabic with English surtitles. Contains adult content.


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ACCESSIBILITY
To request an accessibility accommodation for a Walker program, please e-mail or call 612-375-7564 at least 2 weeks in advance. Please see the Walker’s Accessibility page for more information.

 

FUNDING

Co-commissioned by the Walker Art Center, HAU Hebbel am Ufer/Berlin, Künstlerhaus Mousonturm and Wiener Festwochen, with support provided by the Andrew W. Mellon Foundation, the National Endowment for the Arts, and the William and Nadine McGuire Commissioning Fund. Additional support provided by Producers’ Council members Leni and David Moore, Jr./The David & Leni Moore Family Foundation.

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Related articles

Rabih Mroué: Life, Death, and the Digestive System

Rabih Mroué: Life, Death, and the Digestive System

“It’s not about remembering or forgetting, it is about both together, and how they work together—how we remember, how we forget, what we invent, what we remember.”  In conversation with Allie Tepper, theater-maker and visual artist Rabih Mroué discusses his three-part series for the stage and gallery, including his latest cycle of artworks Again we are defeated, the “non-academic lecture” Sand in the Eyes, and the Walker-commissioned world-premiere of Borborygmous, a work made in collaboration with Lina Majadalanie and Mazen Kerbaj that takes its title from the name for the rumbling of the stomach.

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