The Body and Expanded Cinema

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Delve deeply into the world of expanded cinema and dance for camera with a screening of avant-garde films related to Merce Cunningham’s work with technology, including the premiere of rare works by Stan VanDerBeek.
A conversation follows between Gloria Sutton, professor of art history and media studies at Northeastern University, and John Kim, professor of media and cultural studies at Macalester College.
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"What was it about Cunningham that made him stand out so," asks art historian Douglas Crimp in his catalogue essay for the 2017 exhibition Merce Cunningham: Common Time. "The dance movement he made—whatever its diverse sources in ballet and modern technique, observation of people in the streets and animals in nature, chance operations, pure invention—was uniquely suited to his own body, and he was its finest exponent." Joining in a worldwide celebration of choreographer/dancer Merce Cunningham's birth—born on this day in 1919—we share Crimp's essay online for the first time as a testament to Cunningham's influence, innovation, and iconoclasm.
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