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Beth Gill

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Known for her exacting rigor and mesmerizing precision, Bessie Award–winner Beth Gill makes choreography that is spare yet playful, stark yet beautiful. In Brand New Sidewalk, Gill teams up with composer Jon Moniaci and lighting designer Thomas Dunn to create a sparse and elegant diptych born of questioning the value of formalism in dance. This evocative new piece for four dancers explores themes of alienation, erasure, and power, illuminating the compositional pleasure of the Merce Cunningham legacy while refracting it for our times through Gill’s unique lens.

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Merce Cunningham: Common Time
View of the exhibition Merce Cunningham: Common Time, 2017 (Photo: Gene Pittman, ©Walker Art Center)

Merce Cunningham: Common Time

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Four Events that Have Led to Large Discoveries (About Merce Cunningham)

Four Events that Have Led to Large Discoveries (About Merce Cunningham)

"What was it about Cunningham that made him stand out so," asks art historian Douglas Crimp in his catalogue essay for the 2017 exhibition Merce Cunningham: Common Time. "The dance movement he made—whatever its diverse sources in ballet and modern technique, observation of people in the streets and animals in nature, chance operations, pure invention—was uniquely suited to his own body, and he was its finest exponent." Joining in a worldwide celebration of choreographer/dancer Merce Cunningham's birth—born on this day in 1919—we share Crimp's essay online for the first time as a testament to Cunningham's influence, innovation, and iconoclasm.
On Your Mark: Kids and Cunningham Converge in the Art Lab

On Your Mark: Kids and Cunningham Converge in the Art Lab

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