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What happens when an artist’s mastery intertwines with a child’s imagination? Conceptual painter, sculptor, and filmmaker Glenn Ligon spent his yearlong Walker residency (1999–2000) engaging directly with children and community groups in the Twin Cities.

“I didn’t color when I was a kid; I copied,” recalls the Bronx, New York native. “I felt much more comfortable drawing objects that were in front of me, or doing drawings based on images from newspapers or comic books.” Motivated by this memory, he provided local children with vintage coloring book illustrations. With their joyful, authentic, and uninhibited images as source material, Ligon produced Coloring, his now iconic series of paintings.

The ephemera and art displayed here include a curated book selection, original drawings, photographs, and artist-designed buttons. Together, they track Ligon’s research and inspiration, document the process he used to create new works, and provide insight into other projects he executed at the Walker.

Changing installations in the Best Buy Aperture highlight materials from the Walker Collections and Archives & Library.

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To Bend Back: A Look at Glenn Ligon’s Walker Residency 18 Years Later

To Bend Back: A Look at Glenn Ligon’s Walker Residency 18 Years Later

"The archives are active and flexible—bending, uncovering, and retrieving. They 'remember,' seeing the past through a present lens, offering new information, teaching a lesson in empathy." Interpretation fellow Alexandra Nicome on revisiting Glenn Ligon's 2000 Walker residency in the Walker Archives.
Source Material: Glenn Ligon on the Residency that Inspired his Coloring Series

Source Material: Glenn Ligon on the Residency that Inspired his Coloring Series

Glenn Ligon's 1999–2000 Walker artist residency, the subject of a new presentation in the Best Buy Aperture, provided the inspiration for the artist's influential Coloring series. To get context for the project—which included a collaboration with the Teen Art Council, coloring sessions with children using Afrocentic coloring books from the ’60s and ’70s, and a display of books from a local archive of black literature—interpretation fellow Alexandra Nicome connected with Ligon to discuss the experience.

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