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Canceled: A Think & A Drink

People view and discuss art during the opening of An Art of Changes: Jasper Johns Prints, 1960–2018. Photo: Awa Mally for Walker Art Center.

Tickets & Info

The Walker Art Center is taking every precaution for the safety and care of all visitors, staff, and artists. To proactively protect the entire community, the museum will remain temporarily closed. This program has been affected by the closure. We hope to resume our activities and welcome you back soon. Learn more.

Explore An Art of Changes: Jasper Johns Prints, 1960–2018 on an after-hours member tour followed by complimentary small bites and drinks from the cash bar.

RSVP online or by calling 612.375.7655.

Please note that because the opening of the exhibition The Paradox of Stillness: Art, Object, and Performance has been postponed, this A Think & A Drink will now feature tours of An Art of Changes: Jasper Johns Prints, 1960–2018. If you have already submitted an RSVP for this event, your reservation has automatically been updated. If you have any questions, please contact membership@walkerart.org.

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An Art of Changes: Jasper Johns Prints, 1960–2018

Sun Feb 16, 2020

An Art of Changes: Jasper Johns Prints, 1960–2018

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On Fracture and Fraternity: The Many Faces of Jasper Johns

On Fracture and Fraternity: The Many Faces of Jasper Johns

Art historian Isabelle Loring Wallace takes a close look at the recurring motif of the fractured face in Jasper Johns's art, revealing references as disparate as Pablo Picasso's Woman in a Straw Hat, a drawing made by a schizophrenic girl in the 1950s, and a slouching demon in Matthias Grünewald's Isenheim altarpiece.
America and its Afterimage: Jasper Johns, Flags, and Memorial Day

America and its Afterimage: Jasper Johns, Flags, and Memorial Day

Jasper Johns's Flags (1967–1968) invites viewers to look at two US flags: one in green, black, and orange, the other in grayscale. After gazing on the upper flag then looking at a dot on the gray flag, viewers should see the time-honored red, white, and blue, but only as an afterimage. "What makes this work so compelling," writes Walker Interpretation Fellow Alexandra Nicome in a Memorial Day reflection, "is the simultaneous awe and intimacy we get to experience with this shared symbol. In Johns’s print, a commonplace icon only exists in its 'true' form when I make it in my mind."
How the Walker Art Center Acquired Every Print Jasper Johns Ever Made

How the Walker Art Center Acquired Every Print Jasper Johns Ever Made

In 1987, a New York gallery contacted the Walker with an extraordinary offer: an opportunity to purchase 317 prints by Jasper Johns—everything the artist had produced up to that point. No public institution in the world owned a complete collection of graphic work by Johns—who, it turns out, was the unnamed seller behind the collection. As we open An Art of Changes: Jasper Johns Prints, 1960–2018, curator Joan Rothfuss looks at this extraordinary body of work by an American icon.  

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