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Wear your neon, shoulder pads, and stirrup pants for an evening that looks back on an oft-maligned decade. Start the night with a special ’80s-themed edition of Conversationalist’s Café (6–8 pm), for face-to-face talks with special guests including writer Neal Cuthbert, art historian Joanna Inglot, artist Catherine Jordan, Patrick’s Cabaret owner Patrick Scully, and musician/writer Jim Walsh on a menu of topics crafted around the era.

Then check out the exhibition This Will Have Been: Art, Love & Politics in the 1980s during a curator-led tour (7–8 pm), and and stick around as Jim Walsh (author of The Replacements: All Over But the Shouting: An Oral History) rounds up fellow musicians and artists who lived through this special time for a round of stories and songs with the Mad Ripple Hootenanny that harks back to a time when CDs were the next big thing (8–10 pm).

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This Will Have Been: Art, Love & Politics in the 1980s
Installation view of the exhibition This Will Have Been: Art, Love & Politics in the 1980s, 2012

This Will Have Been: Art, Love & Politics in the 1980s

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Patrick Scully on Performance, Protest, and Queer Politics

Patrick Scully on Performance, Protest, and Queer Politics

This wide-ranging conversation between Patrick Scully and Gwyneth Shanks, curator of A Different Kind of Intimacy: Radical Performance at the Walker, 1990–1995, a new installation in the Walker's Best Buy Aperture, explores the performance practices of the era. Shanks recently sat down with Scully, a longtime performer, presenter, curator, and activist in Minneapolis, to discuss his collaborative 1995 performance piece Unsafe, Unsuited, his role as the founder of Patrick's Cabaret, and the broader aesthetic and political landscape of the US in the early 1990s, as the cultural wars and the HIV/AIDS epidemic raged.

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