Commissioned by Walker Art Center T. B. Walker Acquisition Fund, 2018
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Radical Transparency: A Review of Jason Moran’s The Last Jazz Fest
"The Last Jazz Fest is productively uncomfortable; it asks audience members to interrogate their expectations and assumptions around jazz, to melt our fantasy of artistic transcendence, and to expose what is erased or ignored to feel 'present.'” Dylan Redford reviews the recent Walker-commissioned performance work by Jason Moran and The Bandwagon with Ryan Trecartin, Lizzie Fitch, and Ashland Mines (DJ Total Freedom).
Milestones and Memorials: Jason Moran on His First Museum Exhibition
"As a pianist and as one who improvises and moves the line consistently, to know that there's someone there holding it down with the strong idea is like—it's like a good bass player in a band. That bass player is holding it down. They are the Sol LeWitt in the band." In a new interview, Jason Moran discusses his love of conceptual art, collaborating with artists like Adrian Piper, and his series of "set" sculptures, which pay homage to iconic jazz venues, including Slugs' Saloon and the Savoy Ballroom.
